You actually make it seem so easy with your presentation however I find this topic to be actually something that I think I’d by no means understand. It sort of feels too complicated and very huge for me. I am looking forward on your subsequent publish, I’ll attempt to get the hang of it!
Hi, Windy.
You’re correct that painting flesh tones is by no means simple. That’s one reason why I prefer to have a flexible, systematic way of approaching it. I understand this approach might not work best for everyone, and as I mentioned, mixing the color strings is one thing, understanding how to use them is quite another. This post was meant to answer specific questions I have received on how I mix my flesh tones palette. I’ll work on a better introduction to how I use the strings for a later post.
You actually make it seem so easy with your presentation however I find this topic to be actually something that I think I’d by no means understand. It sort of feels too complicated and very huge for me. I am looking forward on your subsequent publish, I’ll attempt to get the hang of it!
Hi, Windy.
You’re correct that painting flesh tones is by no means simple. That’s one reason why I prefer to have a flexible, systematic way of approaching it. I understand this approach might not work best for everyone, and as I mentioned, mixing the color strings is one thing, understanding how to use them is quite another. This post was meant to answer specific questions I have received on how I mix my flesh tones palette. I’ll work on a better introduction to how I use the strings for a later post.