You actually make it seem so easy with your presentation however I find this topic to be actually something that I think I’d by no means understand. It sort of feels too complicated and very huge for me. I am looking forward on your subsequent publish, I’ll attempt to get the hang of it!
You’re correct that painting flesh tones is by no means simple. That’s one reason why I prefer to have a flexible, systematic way of approaching it. I understand this approach might not work best for everyone, and as I mentioned, mixing the color strings is one thing, understanding how to use them is quite another. This post was meant to answer specific questions I have received on how I mix my flesh tones palette. I’ll work on a better introduction to how I use the strings for a later post.